I will say, though, that if movies can pay someone whose job it is to ensure continuity, even down to things hardly anyone’s going to notice like omigod in that shot his thumb was on the glass and in the next it’s not! (as if people don’t move their hands), you’d think they could hire plausibility editors to take care of things that, even within a slightly cartoony universe, just don’t make sense. Like say, the likelihood that superwealthy gadget dude would apparently have no security at his house…or that no one would notice that the first suit’s being built (I think I phrased that unspoilerly) rather than what it pretends to be.